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Archive for the ‘Flash Fiction’ Category

Zen in the Art of Writing by Ray Bradbury is not a single volume on writing. Rather, it is a collection of essays written over his long career. Each of the essays has a real nugget of insight for the reader.

Bradbury teaches us about writing. He tells us to write about what we love, and what we hate and to always stay drunk on writing, because it saves us from the world of reality.

The book’s title is a little misleading. While Bradbury makes some statements that sound like a “Zen Master”, that is the closest I could come to finding anything “Zen” about the book. I find the title a “hip” title some marketer probably dreamed up.

Bradbury devotes a chapter on the mechanics of writing, the way he learned it. To achieve success as a writer according to Bradbury, one must write at least a thousand words a day. The thousand words a day minimum must continue until the process becomes automatic.

It is simply fascinating to get into the mind of one of the greatest science fiction writers on how the craft is done. This chapter alone is worth buying the book which is very economical. It is a wonderful book for the beginning writer and very inspirational for the advanced writer.

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I belong to the Dallas Writing Practice Group. A recent assignment was to write why “I am a writer”. Here’s what I wrote …

I’m a writer because I enjoy writing.

I get my ideas from the world around me as well as the fantasies within me.

I try to write for a regular period each day.

I believe in using adjectives and adverbs frugally.

I structure my work-in-progress by writing according to how the story seems to be telling itself instead of writing to a prepared plot outline though I know my major plot points.

I realize writing self-discipline by making myself work whether I’m in the mood or not.

I handle the difficult, ‘writer’s block’ or ‘dry’ times by working on something else to keep good writing habits.

I attempt to make my work as good as it can be by editing, rewriting and polishing.

In seeking an agent or publisher I research the market thoroughly and learn how to make a professional submission. I also read books by writer’s the potential agent represent or by the publisher where I believe I’m a good fit.

I receive rejection slips with a twinge, and then move to the next submission. It’s not personal.

I see myself in the future finding satisfaction in writing novels and narrative nonfiction my readers enjoy.

I want to write because I have characters and stories bursting to come to life. I have voices in my head that need to escape to paper or keyboard.

If you a writer how would you explain why you are a writer?

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Some pretty good writing podcasts that I listen to regularly are:

ISBW_logoI Should Be Writing.

It is found at http://murverse.com/. Mur Lafferty does the podcast. I have listened to her since 2005. She was a 2012 Nominee for the John W. Campbell Award for Best New Writer.

Mur Lafferty is an author, podcaster, and editor. She lives in Durham, NC, with her husband and 10-year-old daughter.

Podcasts: She has been podcasting since 2004 when she started her essay-focused show, Geek Fu Action Grip. Then she started the award-winning I Should Be Writing in 2005, which is still going today. In 2010 she took over as the editor of Escape Pod, and she also runs the Angry Robot Books podcast.

Books: Starting with podcast-only titles, Mur has written several books and novellas. Her first professionally published book, The Shambling Guide to New York City, will be out in May, 2013. She writes urban fantasy, superhero satire, afterlife mythology, and Christmas stories.

Nonfiction: Mur has written for several magazines including Knights of the Dinner Table, Anime Insider, and The Escapist.

Mur is studying for her MFA in Popular Fiction at the Stonecoast program at the University of Southern Maine.

Source: http://murverse.com/sample-page/

scifi

Adventures in SciFi Publishing.

It is found at: http://www.adventuresinscifipublishing.com/. I have listened to it since 2007.

Adventures in SciFi Publishing brings you podcast and text interviews with authors, editors, publishers, and agents of science fiction and fantasy as well as reviews, news, coverage of live events, videos, and other treats. Winner of the 2008 Best Writing-Related Parsec Award. 2011 Parsec Award Finalist.

Source: https://www.facebook.com/pages/Adventures-in-Scifi-Publishing/144698272222074?id=144698272222074&sk=info

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CCWCToday is Monday March 11, 2013.

I am attending the Colorado Christian Writer’s Conference in May 2013. It meets the Wednesday through Sunday after Mother’s Day. The conference fee was $350 USD. Lodging and meals $306 USD. Travel and transportation are extra. The conference is full of workshops, continuing sessions, worship, writing, and information. Workshops I will attend:

“Write a Compelling Short Synopsis” – It’s often easier to write a chapter-by-chapter synopsis than to condense your novel into a two-page synopsis. Helpful how-to tips. Teacher – Nicola Martinez.

“Writing Flash Fiction that Sells” – How to create a compelling story in 1,000 words or less and where to sell it. Teacher – Ben Erlichman.

“Character & Culture Creation” – How to create interesting personalities that defy their stereotype and build an alien/fantasy civilization. Teacher – N. Paul Williams.

“A Love Affair with Words” – Use but don’t abuse them. Play with them, take them seriously, cherish them, listen to them, pray for them, respect them, and release them. Teacher – Cathy Lawton.

“Being the Poet” – Do you want to grow as a poet? Practice, professionalize, publish! Bring a working draft of your “poet’s resume” and 2 to 3  original poems to share. Teacher – Jane Beal.

“Craft of Fantasy” – Learn the theory and how-to of creating believable secondary worlds using techniques from the art of drawing and real-life geography to help visualize your world.
Teacher – Jane Beal.

Over the four days of the conference I’ll be attending continuing sessions with one teacher. There will be a session in the morning and afternoon each day. The total hours with the teacher is six. My Continuing Session is “Inspiration and Perspiration”. The teacher is Dina Sleiman. Dina writes lyrical stories that dance with light. Since finishing her Professional Writing MA in 1994, she has enjoyed many opportunities to teach literature, writing, and the arts. Her debut novel, Dance of the Dandelion, received an honorable mention in the 2012 Selah Awards. Her latest release, Love in Three-Quarter Time, is the launch title for the new Zondervan First imprint. Dina serves as an acquisitions editor for WhiteFire. Join her as she discovers the unforced rhythms of grace. www.dinasleiman.com Writing is both a right-brained and a left-brained activity, engaging both the head and the heart. More importantly, Christian writing touches the spirit as we attempt to share the life changing message of the Word of God. This class will demonstrate how to hear God’s voice, take the lump of clay idea that the Holy Spirit births in your heart, and begin to hone and shape it into a work of art, using the model of biblical authors.

Encourage your friends, keep reading and write.
Jimmie A. Kepler

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AlbedoAlbedo One & Albedo 2.0 – Submission Guidelines for Authors

We are always looking for thoughtful, well written fiction. Our definition of what constitutes science fiction, horror and fantasy is extremely broad and we love to see material which pushes at the boundaries or crosses between genres.

All authors receive a complimentary print and pdf copy of the issue their story appears in. Our payment is 6 euro per 1000 words (i.e. 0.6 cents per word), up to 8000 words. We hope to improve our rates gradually in the future, and purchasing the magazine is the way to help us achieve that!

Our preferred length is between 2,500 and 8,000 words. We have published stories above that limit, but only because we thought that they were of exceptional quality. Please also note that we cannot (regretfully) pay for additional words beyond 8000.

Our response time is variable – but we aim to respond between two to four months after submission date.

We do not accept simultaneous or multiple submissions, nor do we accept previously published stories, the exception being stories that have been published previously in languages other than English (i.e. you may submit stories that have not yet been published in English, but the stories must be translated to English for submission).

We do not count stories that have been posted online in fiction workshops for critique and improvement as having been previously published (i.e. these may also be submitted, but must be removed from the workshop if accepted for publication).

All stories submitted will be considered for publication in either Albedo One magazine, OR in the online Albedo 2.0 Fiction Showcase series, which aims to publish and showcase online the very best fiction that the Albedo One team can lay their hands on.

For postal submissions: All stories should be typewritten, on A4 paper or US equivalent, double line or 1.5 line spaced, using one side of the paper and leaving at least 1″ margins all round. Electronic version should be available on request.

We do NOT return manuscripts, so disposable manuscripts ONLY please!

Our postal submissions address:

Albedo One
2 Post Road
Lusk
Co. Dublin
Ireland

All submissions must be accompanied by an e-mail address, our preferred method of response, or a SAE with Irish stamps. NO English stamps, NO American stamps please – the Irish Post Office does NOT accept these. International Reply Coupons (IRCs) are unfortunately also not accepted by the Irish Post Office.

For email submissions: Mail your e-mail submission to: bobn@yellowbrickroad.ie.

Email submissions may be pasted into the body of your email, or may be submitted as an attachment in .rtf format (no .docx please).

Please enter subject line as follows: Fiction Submission: Name of Story

We strongly suggest that potential contributors be familiar with the style and content of Albedo One before submitting, and we advise ordering a copy or minimally reading a low-cost pdf copy before submitting stories.

Story rights: Upon acceptance of a story for publication in Albedo One magazine or the Albedo 2.0 Fiction Showcase, we claim First World English Rights for Online and Print mediums. This lets us be the ones to publish your story first, worldwide in the English language, either in the pages of Albedo One, or online on the Albedo 2.0 Fiction Showcase. As soon as we have published your story, be it in Albedo One magazine or Albedo 2.0, rights revert to the authors. Albedo One NEVER claims any permanent rights to your work.

You might also wish to consider entering our respected horror, fantasy and science fiction writing competition, the International Aeon Award Short Fiction Contest, with a grand prize of €1000 euro (yes, that’s right, €1000!) and publication in Albedo One.

We are also looking for interviews with high profile authors, media personalities and for book reviews.

Albedo One – Guidelines to Artists

Please submit a sample of your work. We currently require cover artwork only. Artwork may be commissioned on the basis of your initial sample submission. We pay €20 for artwork, on publication.

Our address:

Albedo One
2 Post Road
Lusk
Co. Dublin
Ireland

Aeon Press – Guidelines for Authors

AEON PRESS IS CURRENTLY CLOSED TO SUBMISSIONS.

Source: http://www.albedo1.com/?page_id=82

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New World Writing is posted quar­terly. Information about themes of upcom­ing issues will always be listed on the Submissions page. If no details are listed there, then the mag­a­zine may or may not be read­ing new mate­r­ial. You may cer­tainly sub­mit, but response time may be iffy. Submissions should be sent as attach­ments in Microsoft Word or RTF for­mat. All rights (except NWW reprint rights) revert to indi­vid­ual authors upon publication.

How we got here

New World Writing began life as Mississippi Review Online, a per­sonal Web site that the edi­tor (who was then also edi­tor of Mississippi Review, the print mag­a­zine) put online in 1995. On depart­ing his edi­tor­ship of MR, the edi­tor invited those folks who worked on the online ver­sion of MR to join him in this new ven­ture New World Writing (as Mississippireview.com, and then BlipMagazine.net) was among the first and most pop­u­lar lit­er­ary mag­a­zines on the Web. As of 2010, the mag­a­zine had more than fif­teen hun­dred sto­ries and poems in its archive, work by such writ­ers as Thom Jones, Ben Marcus, Francine Prose, Padgett Powell, Barry Hannah, Tom Drury, Elizabeth Gilbert, Rick Bass, Ben Neihart, Brian Oberkirch, Michael Dermansky, Courtney Eldridge, David Ryan, Laurie O’Brien, Jaime Clarke, Stacey Richter, Susan Hubbard, Larry French.

Recent online issues have included work from Bob Hicok, Dorianne Laux, Christine Sneed, Brad Watson, Lori Ostlund, Mary Grimm, Floyd Skloot, George Saunders, Michael Knight, Nin Andrews, Mary Miller, Pamela Painter, James Robison, Kate Braverman, Ann Beattie, Thaisa Frank, Bobbie Ann Mason, Brad Watson, Angela Ball, Diann Blakely, Gary Percesepe, Cathy Hankla, Mary Miller, Bruce Smith, Paul Maliszewski, Curtis Smith, Denise Duhamel, Robert Lopez, Paul Lisicky, George Singleton, Julia Johnson, Meg Pokrass, Kara Candito and many others.

We hope you make the mag­a­zine a reg­u­lar stop in your Web trav­els, and we wel­come you and encour­age your participation.

In addi­tion, we have added the entire con­tent of Public Scrutiny, an Internet mag­a­zine of opin­ion pub­lished from 2002–2006.

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Curbside Splendor Journal

Curbside Splendor Journal

Mission Statement

We publish literary fiction, creative non-fiction, poetry, and art based in contemporary urban (and sometimes sub-urban) settings. Our goal is to support the independent publishing process and to promote urban-themed writing.

Publication Process

We publish a free e-zine periodically, about four times a year, at our E-Zine section. Work that is published online will be communicated to our readers via our social networks and our monthly e-newsletter. We publish a few different journals. We also publish books from time to time. We’re the publisher of Another Chicago Magazine. Please visit our store to purchase one of our titles. Our titles typically ship within one week of order, unless otherwise noted on the product page. If you are a bookseller, or would like to purchase our books via check or money order, please see our contact info below.

Submission Guidelines – E-Zine/Curbside Journal

We accept submissions of short fiction, poetry, and photography/art for our e-zine and the Curbside Splendor semi-annual print journal at our Submission Manager ONLY. Submissions sent to any other address will not be reviewed.

Submission guidelines:

For the print journal we consider longer pieces, between 3,000 and 8,000 words. Include work as a .doc / rtf file attachment. Double space and provide your contact info along with a short bio. Please also let us know where you heard of Curbside Splendor. We’re pretty open as to genre, though we’re fond of gritty urban stories. We like realism that is slightly off-balance. Urban fantasy is welcome here. We do not consider previously published work. We’ll try to respond as soon as possible, though generally within 3 to 6 months. Simultaneous submissions are fine, but please inform us immediately if you need to withdraw your work.

E-zine – same as above except pieces should be betweeen 100 and 3,000 words.

For poetry, include work as a .doc / rtf file attachment. Do not include more than 5 poems. Please let us know where you heard of Curbside Splendor. We’re pretty open as to genre / style, though we’re fond of gritty urban work. We like realism that is slightly off-balance. We do not consider previously published work. We’ll try to respond as soon as possible, though generally within 3 to 6 months. Simultaneous submissions are fine, but please inform us immediately if you need to withdraw your work.

For photography, we feature a new photographer in our e-zine, for the cover and about five photographs for the inside. We also use photography for the interior of our semi-annula print journal. If you would like to be considered for either the e-zine or the semi-annual journal, please send us 5 photos / pics of art in a single document. Please provide a short bio with your submission and let us know how you know Curbside Splendor. We’re fond of gritty urban work. We like realism that is slightly off-balance. We do not consider previously published work. We’ll try to respond as soon as possible, though generally withing 3 to 6 months. Simultaneous submissions are fine, but please inform us immediately if you need to withdraw your work.

Submission Guidelines – Books

We accept book submissions by invitation only. If you have a book that may fit our vision, please send us a one or two page query letter by email to info@curbsidesplendor.com summarizing the finished work, yourself, and why you think we may be a fit.

Events

We like to sponsor, present, co-present literary friendly parties at places like Beauty Bar Chicago and Empty Bottle. If you have something in mind, would like to work with us somehow, send us a note at info@curbsidesplendor.com

Curbside Splendor YouTube Channel

We periodically publish videos of us or our contributors reading their work on YouTube. Visit and subscribe to our channel: Curbside Splendor

Payment / Fees / Writing Contests

We do not charge a reading fee. We do not pay for submissions accepted at the present. Payment for books we publish is established separately with the author.

Legal Stuff

Curbside Splendor Publishing accepts no liability arising from the publication of an author’s work. Authors retain copyright on all works. We request one-time electronic rights and the right to publish your work in the print journal. Work published will be archived indefinitely. Submission to Curbside Splendor Publishing constitutes acceptance of these conditions. We do not accept returns or exchanges of books purchased from us.

History

Curbside Splendor was conceived in the early 1990′s at an apartment in Urbana, Illinois. Officially, it was founded in the fall of 2009 and is located in the Logan Square neighborhood of Chicago, Illinois.

Staff

Victor David Giron is publisher, editor-in-chief, publicist, head-of-distribution, web editor, and accountant. He’s a CPA who can’t let go of his desire to be a philosopher. He started Curbside Splendor originally to publish his first novel Sophomoric Philosophy, but then was like “dang, publishing is fun”, and so here we are. He lives in Chicago.

Lauryn Allison Lewis is senior managing editor, primarily in charge of books acquisitions and editing. She writes fiction, essays, interviews, and bakery reviews. Her writing has appeared at a variety of places. She regularly hosts all-night dance parties in her kitchen and is working on her first novel, The Beauties.

Ben Tanzer is publicity officer, and books acquisition editor. He’s a daddy-cool author of many, many books and short stories and runs This Zine Will Change Your Life and This Blog Will Change Your Life.

Jacob S. Knabb is senior editor of Curbside Splendor, focusing on Book Acquisition, and Editor in Chief of our imprint Another Chicago Magazine. He also likes to take photographs. He’s sometimes known as Harold Ray, a ruinous West Virginian janitor who secretly longs to become a famous country singer but has no discernible talents other than an ability to drunkenly croon.
James Tadd Adcox is editor-in-chief of our imprint Artifice Books. He’s a smarty pants author guy who’s finishing his PhD at University of Illinois at Chicago.

Traci Kim is managing editor of our imprint Concepción Books. Her background in creative fiction and Spanish Literature makes Concepción is the perfect marriage of her interests. You can often find her dancing and/or bumping into things. She writes short fiction, nonfiction, and essays.

Leonard Vance is managing editor, primarily in charge of our Curbside Splendor semi-annual journal and the e-zine. You’ve probably seen him reading a book as he crosses the busy streets of Chicago. He writes fiction and essays, and works a web copywriter at Vivid Seats.

Joey Pizzolato is our reviews / interviews editor. He’s an MFA candidate at Spalding University. His fiction and nonfiction have appeared in a variety of journals, websites, and magazines. He lives in Austin, TX, and currently serves as the literary editor of Composite {Arts Magazine}(www.compositearts.com )

Garett Holden is our resident videoagrapher. He’s a multi-faceted artist, a man of many talents, who does his magic out of Brooklyn, NYC.

Karolina “Koko” Faber is a contributing designer and overall fashion director. She’s a transglobal party girl, and one hell of a photographer, painter, designer, everything. She grew up in Poland, came to Chicago in her teens, and now lives in Berlin.

Heather Leigh Maher is a junior editor. She teaches writing and literature at several Chicagoland colleges, inducting students into the mysteries of the formal research essay. She is currently researching the integration of contemporary social media into the college classroom, as it is an excellent excuse to get students writing weekly blogs. She currently lives in Chicago’s southwestern suburbs in a house with an unusually high cat-to-human ratio.

Sarah Bradford is a junior editor. She’s a craft lover and can often be found with her hot glue gun in hand. Since her Bookmobile days, she’s been obsessed with getting her hands on stories and editing them to perfection. She was assistant editor on a project with Chicago Center for Literature and Photography, editing Lauryn Allison Lewis’ novella, Solo Down, through which she then came to learn about us.

Seamless designed and manages our website. They rock.

Contact

For general questions, contact us at: victor@curbsidesplendor.com or info@curbsidesplendor.com

Source: http://www.curbsidesplendor.com/curbside/about-us

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The WordPress.com stats helper monkeys prepared a 2012 annual report for this blog.

Here’s an excerpt:

4,329 films were submitted to the 2012 Cannes Film Festival. This blog had 17,000 views in 2012. If each view were a film, this blog would power 4 Film Festivals

Click here to see the complete report.

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Danse MacabreDanse Macabre

About

Danse Macabre is committed to expanding the creative landscape of the literary web. Our central editorial criteria is the overall imaginative effort you deploy to transcend prevailing orthodoxies. The narrative contours of magical realism, world poetry, and Mitteleuropean kunst und kultur are especially appreciated.

Poetry

Are you interested in joining the family of international poets at Stonesthrow? Query us at lazarusmediallc.com with a description of your ms, three (3) sample poems, and your current bio. We look forward to hearing from you!

Source: http://www.dansemacabreonline.com/#!__dm-65-oceans/lazarus-media

stonethrowStone’s Throw Magazine

Submission Guidelines

Stone’s Throw welcomes submissions in fiction, poetry, nonfiction, art and reviews. Prose should be submitted one story or essay at a time, limited to 5,000 words. Poetry submissions should include 3-5 poems. We’re also interested in receiving brief accounts of daily life from around the world. Authors retain copyright and there is no compensation for publication. However issues will be archived and available online.

To submit, follow guidelines on our submission manager. It is located at: https://stonesthrow.submittable.com/submit

Source: http://www.stonesthrowmagazine.com/worklist.php?genre=Poetry

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Orson Scott Card's Intergalactic Medicine Show

Orson Scott Card’s Intergalactic Medicine Show

Orson Scott Card’s Intergalactic Medicine Show

About

Orson Scott Card’s InterGalactic Medicine Show is an online fantasy and science fiction magazine. We are a bi-monthly publication featuring content from both established as well as talented new authors. In addition to our bi-monthly issues, we offer weekly columns and reviews on books, movies, video games and writing advice.

FICTION:

We are looking for stories of any length in the genres of science fiction and fantasy. “Science fiction” includes hard sf, sf adventure, alternate history, near-future, far-future, psi, alien, and any other kind of sf you can think of. “Fantasy” includes heroic fantasy (based on any culture’s mythology), fairy tales, contemporary fantasy, and “horror” in the sense of supernatural suspense (not gory bloodfests, thanks). Within these genres, we like to see well-developed milieus and believable, engaging characters. We also look for clear, unaffected writing. Asimov, Niven, Tolkien, Yolen, and Hobb are more likely to be our literary exemplars than James Joyce.

To Writers and Artists
We Want to See Your Work

Writers:

We are looking for stories of any length in the genres of science fiction and fantasy.

“Science fiction” includes hard sf, sf adventure, alternate history, near-future, far-future, psi, alien, and any other kind of sf you can think of.

“Fantasy” includes heroic fantasy (based on any culture’s mythology), fairy tales, contemporary fantasy, and “horror” in the sense of supernatural suspense (not gory bloodfests, thanks).

Within these genres, we like to see well-developed milieus and believable, engaging characters. We also look for clear, unaffected writing. Asimov, Niven, Tolkien, Yolen, and Hobb are more likely to be our literary exemplars than James Joyce.

We pay 6 cents a word up to 7500 words and 5 cents a word thereafter.

With this payment we buy exclusive rights in any language or any medium throughout the world for one year from date of first publication in the magazine, and nonexclusive electronic and/or online rights in any language in perpetuity. We also buy nonexclusive print and audio rights throughout the world and in all languages for inclusion in multi-author anthologies based on the magazine, for which you will receive a pro rata share of the authors’ share of advances and royalties, to be reported and paid when reports and payments are received by us from the publisher (or, if we are the publisher, every six months after one year after publication, if there are any earnings to report).

In plain language, that means that for one year you can’t sell the story anywhere else or allow it to be published or duplicated. After that, we can leave the magazine online forever, and you can go ahead and sell the story to anthologies and collections in print and online. We can sell or publish anthologies of stories that appear in IGMS for print or audio publication in any language on a nonexclusive basis, but you receive your share of royalties.

If you wish to offer us a story that has appeared in print, but so obscurely that you think we might still be interested, tell us the circumstances of prior publication along with your submission.

If your story appears in IGMS it will count toward the publication requirement for membership in the Science Fiction Writers of America.

Submissions are all via the internet, using our submission form. Due to the large volume of submissions please wait at least three months from the time of submission before expecting a response. We do not accept multiple submissions. Please submit one story at a time, then wait to hear back from us before submitting again.

Please note: IGMS is a PG-13 magazine and website. That means that while stories can deal with intense and adult themes, we will not accept stories with explicit or detailed sex of the sort that would earn a movie rating more restrictive than PG-13; nor will there be language of the sort that earns an R rating.

Artists:

All illustrations and artwork in IGMS are by assignment. If you wish to be considered for art assignments, we would like to be shown samples of your work.

After filling out our submission form , you will be asked either to send us a .zip file containing .jpg files showing your work in black and white or color, or provide us with a link to your website, where we can see free and easily accessible samples of your art at a size that lets us see details of your technique.

Our standard rates are $400 for the one color illustration in each issue (the “cover”) and $200 for black and white illustrations. (We will consider higher rates for established professionals.) We do not make assignments on an open-ended hourly basis.

We buy exclusive rights in all media for one year, then nonexclusive online/electronic rights in perpetuity for all editions of the magazine. We also retain the option on nonexclusive print rights in all markets for inclusion in anthologies of stories and/or art from the magazine, for which you will be paid a pro rata share of artists’ share of all royalties and advances, to be accounted and paid when we receive payment from publishers (or, if we are the publisher, every six months after one year after publication, when there are any earnings to report.)

Source: http://www.intergalacticmedicineshow.com/cgi-bin/mag.cgi?do=content&article=submissions and http://www.intergalacticmedicineshow.com/cgi-bin/mag.cgi?do=content&article=about

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